My Piano Research — Technique
Have you ever heard about the Scaramuzza piano technique?
I most probably talked about it here before, however, this is the third part of my series about this fabulous piano technique.
In case you haven’t heard about it before, Vicente Scaramuzza created a school in the piano technique. Such a special and unique method that is based on the weight and balance of our body and fingers. Obviously amongst many other concepts.
As I was personally trained in the art of Scaramuzza since I was a child and then intensified thanks to my Maestro, Bruno Gelber, while in Buenos Aires, Argentina, I decided to move to London and start my career either as concert pianist and piano teacher, and therefore, carried out teaching and sharing this wonderful technique with all my students at my WKMT London Piano studios.
It is widely known that at WKMT our students are trained from the scratch in this piano technique. And so, I wrote a series of articles in which I explain the different movements within the same technique. Every movement is related to a different action on the piano: scales, fast motion, how getting in and out of the piano efficiently,…
In my series called “Piano Technique by Scaramuzza” you could find all the resources and info about this great technique. In case you are a master on the piano already, you shouldn’t miss either. It will give you another perspective of the piano performance and notes playing.
My series is split into different articles, or better said, in different movements. So there are main movements within this technique:
2- Arm Movement
In any of them, I will explain what the aim is and what muscles are in charge. And most importantly, what the applications are, as every movement has different aims.
In case you are interested in this artistic and powerful technique, do not hesitate to read it all through my articles published on WKMT Music Blog (click on the links aforementioned). As well as my concerts given in England performing always with the Scaramuzza technique.
